Fake Fighting
Anonymous snapshot, Gift of Peter J. Cohen, 2019.305
In the United States, boxing was one of the first sports to modernize through forces such as corporate sponsorship, regulation, commercialization, and mass spectatorship. As prizefighting evolved from a working-class sport to a form of entertainment for the middle and upper classes, reports or representations of matches reiterated the two-fisted sparring iconography that began with black-figure amphorae in ancient Greece. The simplification of a series of unpredictable, chaotic movements into an easily recognizable gesture has allowed the pugilist pose to take on a host of associations beyond the sport itself, from national conflict to social tensions over race, class, and gender.
This composite carte de visite printed during the Civil War depicts the Union Army General “Fighting Joe” Hooker enacting battle as a boxer.“Fighting Joe” Hooker, ca. 1860s, albumen carte de visite, Gift of Barbara Schinman Fields (Class of 1969), 1991.43.198
Anonymous snapshot, Gift of Peter J. Cohen, 2019.606
Anonymous snapshot, Gift of Peter J. Cohen, 2019.311
Anonymous snapshot, Gift of Peter J. Cohen, 2019.607
Anonymous snapshot, Gift of Peter J. Cohen, 2019.302
Anonymous snapshot, Gift of Peter J. Cohen, 2019.307
Anonymous snapshot, Gift of Peter J. Cohen, 2019.830
Anonymous snapshot, Gift of Peter J. Cohen, 2019.303-304
Anonymous snapshot, Gift of Peter J. Cohen, 2019.303-304
Anonymous snapshot, Gift of Peter J. Cohen, 2019.303-304
Anonymous snapshot, Gift of Peter J. Cohen, 2019.605