Fake Fighting

Fake Fighting

Anonymous snapshot, Gift of Peter J. Cohen, 2019.305

In the United States, boxing was one of the first sports to modernize through forces such as corporate sponsorship, regulation, commercialization, and mass spectatorship. As prizefighting evolved from a working-class sport to a form of entertainment for the middle and upper classes, reports or representations of matches reiterated the two-fisted sparring iconography that began with black-figure amphorae in ancient Greece. The simplification of a series of unpredictable, chaotic movements into an easily recognizable gesture has allowed the pugilist pose to take on a host of associations beyond the sport itself, from national conflict to social tensions over race, class, and gender.

This composite carte de visite printed during the Civil War depicts the Union Army General “Fighting Joe” Hooker enacting battle as a boxer.“Fighting Joe” Hooker, ca. 1860s, albumen carte de visite, Gift of Barbara Schinman Fields (Class of 1969), 1991.43.198

Anonymous snapshot, Gift of Peter J. Cohen, 2019.606

Anonymous snapshot, Gift of Peter J. Cohen, 2019.311

Anonymous snapshot, Gift of Peter J. Cohen, 2019.607

Anonymous snapshot, Gift of Peter J. Cohen, 2019.302

Anonymous snapshot, Gift of Peter J. Cohen, 2019.307

Anonymous snapshot, Gift of Peter J. Cohen, 2019.830

Anonymous snapshot, Gift of Peter J. Cohen, 2019.303-304

Anonymous snapshot, Gift of Peter J. Cohen, 2019.303-304

Anonymous snapshot, Gift of Peter J. Cohen, 2019.303-304

Anonymous snapshot, Gift of Peter J. Cohen, 2019.605