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Maggie Erwin:

Remember a Place Not Here
 
Maggie Erwin
English major
 
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Mosaic of Feeling
artist book
Jewett Hallway Galleries
 
accordion book open in a U shape to show colors in the pages with rainbow paper on the covers at the ends
 

The artist book Mosaic of Feeling is about the relationship between color and emotion, exploring the various ways in which we attribute feelings to color and vice versa. The idea that colors have emotional connotations is widespread-- we often say we're 'feeling blue' to indicate sadness, for example. Mosaic of Feeling is based on a mood calendar, a common tool in cognitive behavioral therapy or mindfulness practice in which the user fills in each calendar day with a color corresponding to their mood. I chose to expand this concept into an artist book because I wanted to explore the ways we can read color, like we would read text, to understand the emotional state of the maker, artist, or viewer. Each day for fifteen days I created three unique color palettes, corresponding to three pages, once in the morning, afternoon, and evening. Using a twenty-five color oil pastel set, I worked to translate my immediate feelings into colors, letting my hands find each shade before I could process the act. Often, when I felt happy I filled the paper with yellows, my favorite color. When stressed, deep greens. Sadness became strokes of blue and gray. Red corresponded with anger. These forty-five squares represent a mosaic of my feelings from February 23, 2023 to March 9th, 2023. I want viewers of the book to 'read' the colors for their emotional register; the book can be read by flipping each page, experiencing time in discrete moments, or as one long display, creating a continuous illustration, or calendar, of feeling.

an accordion book seen on end, showing the rainbow-paper-covered front cover with the title 'mosaic of feeling' on it

 

close up on a section of an accordion book; each page has an incised square frame in the center, and in the center of each frame is a differently colored square

 
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Pure Verb
artist book

Jewett Hallway Galleries

 
close up of open book spread, text on left, layers of cut paper on the right
 
Pure Verb is an artist book based on the Seamus Heaney poem "Oysters." The poem is rich with imagery that evokes all of the senses: the sound of oysters clacking on plates, the salty taste, the sight of creatures being shucked and scattered, and the feeling of guilt as metaphor transforms the oysters into symbols of violent colonization. I chose this poem because the final line, in which Heaney writes, "Might quicken me all into verb, pure verb," makes an explicit connection between language's basic components and the building blocks of our senses and emotions. In those lines, Heaney takes us on a descent into the buried life of feelings, a loophole accessible only by language. The central fold explores this concept by incorporating complex letterpress techniques to create typographical imagery. I believe this connection speaks to the ways a book can function as an artistic object-- rather than just text-- capable of moving us in powerful ways.
 
book spread, layered oyster-shaped cutouts in shades of brown and tan at left, a dark blue oyster-shaped cutout with text inside at right
 
hands holding a book open to a spread with layered oyster-like form in the center, around which revolve the words 'into verb pure verb'
 
Pure Verb was printed at the Annis Press using metal and wood type and incorporates collage elements from handmade paper made in the Papermaking Studio in Pendleton West. The book is bound using a pamplet stitch and case binding, and is a unique edition.
 
a black cloth-covered table; at left is a book upright on a stand with blue cover and words 'pure verb'; at right is a large accordion book spread out with holographic covers facing the viewer
 
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