Rory McEwen, Tulip 'Julia Farnese' rose feather, 1976, Watercolour on vellum, ©Estate of Rory McEwen

Rory McEwen: A New Perspective on Nature presents the vibrant career of the renowned Scottish artist, Rory McEwen (1932-1982). Focusing on his remarkable paintings of plants, the exhibition reveals McEwen’s lifelong enquiry into light and color in portraying his unique concept of the natural object. Over the course of his career, with his all-embracing perspective of modern art, McEwen developed a distinctive style, painting on vellum and using large empty backgrounds on which his plant portraits seem to float. In his paintings he forged his own personal interpretation of 20th century modernism, portraying individual flowers, leaves and vegetables as subject matter, “as a way of getting as close as possible to what I perceive as the truth, my truth of the time in which I live.”

Rory McEwen: A New Perspective on Nature presents 85 watercolors on vellum and paper, representing a wide range of the artist’s work, along with many of the well-known 17th and 18th century masters who influenced him—including Robert, Redouté, Ehret, Aubriet as well as early illuminated manuscripts and folio volumes. McEwen’s work is also presented alongside the works of numerous contemporary artists who in turn continue McEwen’s artistic legacy. It includes works on loan from the Collection of the Royal Botanic Gardens, Kew, Mellon’s Oak Spring Garden Foundation Collection, the Shirley Sherwood Collection and the McEwen Family Estate Collection, as well as works from numerous private collections, most of which have never before been seen by the American public. McEwen’s work is found in private and public collections across the globe, including the British Museum; Victoria and Albert Museum; Tate; National Gallery of Modern Art, Scotland; Fitzwilliam Museum, Cambridge; Hunt Institute, Pittsburgh; and Museum of Modern Art, New York.

The exhibition, Rory McEwen: A New Perspective on Nature, is presented by the Davis Museum at Wellesley College in association with Royal Botanic Gardens, Kew (London) and Oak Spring Garden Foundation (Virginia); tour management by Landau Traveling Exhibitions, Los Angeles, CA.

The Gerard B. Lambert Foundation has provided major support for the exhibition. Generous support for the Davis presentation is provided by Wellesley College Friends of Art at the Davis, the Alice G. Spink Art Fund, the Constance Rhind Robey '81 Fund for Museum Exhibitions, and the Kathryn Wasserman Davis '28 Fund for World Cultures.